Photography Masterclass: Your Complete Guide to Photography by Shimizu-Jones Sam & Carnahan William & Gerke Alondra & Ebiner Phil

Author:Shimizu-Jones, Sam & Carnahan, William & Gerke, Alondra & Ebiner, Phil [Shimizu-Jones, Sam]
Language: eng
Format: epub
Publisher: Phil Ebiner, Sam Shimizu-Jones, William Carnahan and Alondra Belén Gerke
Published: 2019-12-15T16:00:00+00:00

The third way is to have the sun hit the back of the subject instead of the face. This way, the eyes of the subject can be open, and he will have a rim light behind him. There will be a nice flare coming into our camera as well. The bummer part is that the background is a little bit blown out where the sun is, and he is a little shaded. But we can control that by using a flexfill or bounce card to get a better lighting by bouncing the light where we want it to fill up the shadows of the faces. The best option is to use the white side because it creates a more natural light, more subtle and soft, while by using the gold side we get a warmer look. We can also use the flexfill to create a shadow when having the sun in the face to diffuse the light, so the faces is in a shadow, but the background is bright and has direct lighting.

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